Phantom Thread (2018)
Director: PAUL THOMAS ANDERSON
Composer: JONNY GREENWOOD
Production company: FOCUS FEATURES
Awards: Academy Award, BAFTA and Golden Globe nominated
You Were Never Really Here (2017)
Director: LYNNE RAMSAY
Composer: JONNY GREENWOOD
Production company: AMAZON STUDIOS
Awards: Cannes Film Festival – Best Actor; Best Screenplay
Alien: Covenant (2017)
Director: RIDLEY SCOTT
Composer: JED KURZEL
Production company: 20TH CENTURY FOX
Assassin’s Creed (2016)
Director: JUSTIN KURZEL
Composer: JED KURZEL
Production company: NEW REGENCY
Macbeth (2015)
Director: JUSTIN KURZEL
Composer: JED KURZEL
Production company: SEE-SAW FILMS
Jed Kurzel’s score – conducted and orchestrated by Hugh Brunt, and featuring prominent solos from Robert Ames, Daniel Pioro, Clare O’Connell, Max Baillie, and Louise Morgan – was recorded at British Grove Studios.
“Battle drums and an extraordinary, sometimes beautiful score by Jed Kurzel, the director’s brother, conduct the audience’s emotions, and the result is devastating.” ★★★★★ (The Times)
Awards: Cannes Film Festival nominated – Palme d’Or
Slow West (2015)
Director: JOHN MACLEAN
Composer: JED KURZEL
Production company: SEE-SAW FILMS
Daniel Pioro (violin), Galya Bisengalieva (violin), Robert Ames (viola), Brian O’Kane (cello), Billy Cole (double bass)
“Musician-turned-director John Maclean strikes gold with this haunting mix of genres in the old west… From the opening moments, our antiheroes are accompanied by a gently waltzing three-step, Jed Kurzel and the London Contemporary Orchestra turning their hoofbeats into a lilting dance.” ★★★★ (The Guardian)
Awards: Sundance Film Festival – World Cinema (Dramatic); Screen Music Awards – Feature Film Score of the Year
Theeb (2014)
Director: NAJI ABU NOWAR
Composer: JERRY LANE
Production company: NOOR PICTURES
“A young Bedouin boy uses his nascent survival skills to outwit potential enemies in Theeb, a classic adventure film of the best kind, and one thats rarely seen these days.” (Variety)
Awards: BAFTA – Outstanding Debut by a British Writer, Director or Producer; Academy Award nominated – Best Foreign Language Film of the Year
There Will Be Blood: Live (2014)
Director: PAUL THOMAS ANDERSON
Composer: JONNY GREENWOOD
Distributor: PARK CIRCUS
Paul Thomas Anderson’s Academy Award-winning film accompanied by a live orchestral performance of Jonny Greenwood’s score. The 5-star reviewed, sell-out production was conceived by the LCO and promoted by the Roundhouse, which staged the first performance in August 2014.
The score features passages from Greenwood’s compositions Popcorn Superhet Receiver and Bodysong, as well as works by Arvo Pärt and Brahms. These pieces have been collated into one performance edition, showing the film in a striking new light. Jonny Greenwood has played the ondes Martenot part for all performances to date.
“Sparse and at times just plain peculiar – but in a brilliantly original way. It’s magnificent.” ★★★★★ (The Independent)
“…the effect was superb… a singular audio-visual journey into a heart of darkness.” ★★★★ (The Times)
Next performance: January 30th 2017 – Royal Festival Hall, Southbank Centre, London
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The Master (2012)
Director: PAUL THOMAS ANDERSON
Composer: JONNY GREENWOOD
Production company: ANNAPURNA PICTURES
“An often brilliant ’50s-throwback character drama that never feels nostalgic, with terrific central performances and a luminous, unforgettable visual beauty.” (Variety)
Awards: Chicago Film Critics Association Awards – Best Original Score
Metropolis: Live (1927 / 2010 restored ver.)
Director: FRITZ LANG
Composer: GOTTFRIED HUPPERTZ
Distributor: EUREKA ENTERTAINMENT
Cult 1927 sci-fi classic Metropolis is a triumph of German Expressionism and remains one of the most influential films ever made. With its depiction of a futuristic cityscape and an alluring female robot, Metropolis is the mother of sci-fi cinema influencing Blade Runner and Star Wars, among countless others. Directed by the legendary Fritz Lang, its jaw-dropping production values, iconic imagery, and modernist grandeur – accompanied live by Huppertz’s original score – remain as powerful as ever.